Instantaneous and rhythmic, sensual and varied in aspect, harmonious or contrasting in structure — a philosophy in action — “ink” may incite a similarly moderated discussion of relations between abstraction and figuration; of oscillations between the material and the conceptual; of locality and temporality in indexical marks and associative meanings.
— Michelle Fornabai
Michelle Fornabai's "ink"exhibition, a series of ink-on-mylar drawings produced and exhibited for "conceptual acts in concrete," explores the question of how spontaneity as a flowing cognition, experienced through varying occupations in time, transforms ideas of habit, function, and program in the architecture of everyday life. Having premiered at Studio-X Beijing in July 2008, "ink" now travels to Studio-X New York as part of the GSAPP's growing Studio-X Global Network Initiative.
Conceived as three “ink” events and “ink” exhibits which gradually broaden in scale and scope to be held over the course of a year—in Beijing, then New York, and again in Beijing—this series will explore ink’s rich and varied potential as a medium to reflect upon elusive aspects latent in intellectual and artistic expression.
As part of Columbia University GSAPP’s growing Global Studio-X Network Initiative, the “first truly global network for real-time exchange of projects, people, and ideas between regional leadership cities,” “ink” is proposed to foster interdisciplinary dialogues among scholars, artists, curators, calligraphers and architects in Beijing and New York.
website: "ink" exhibit opening at Studio X New York
review: Gavin Browning "ink" in Places Journal/Design Observer
video: Mark Wigley, Qing Pan, Jonas Mekas, Michelle Fornabai on YouTube